Thursday, December 25, 2014

Māori skirmish

My Evil Gong Māori took to the field last night in a late night gaming session while the Christmas pudding was steaming away on the hob! Here's a couple of snaps of the early stage of the game.
The warriors entering the clearing from the south (bottom) see their opponents forming up on the far side.
First contact - individual combats dominate the game while the larger warrior groups close on each other.
I took advantage of a sunny morning the next day to get some close up shots.




Wednesday, December 17, 2014

Evil Gong Māori

While WWI in 6mm has been the main focus of my attention for the past few months, with the Christmas Truce approaching, I thought I'd pop my head out of the trench for a small distraction.

I've had a box of Evil Gong Māori in 15mm sitting primed for a couple of years. The promise of some skirmish action in the near future has prompted me to take them the next step. Some of the sculpts are really quite nice and paint up well (and I've just slapped a quick paint job on these). There's a lot more work to do on the textiles for many of the figures - but here's a couple of in-progress teasers!




Saturday, August 9, 2014

Jumping the Bags

With the commemoration of WWI in full swing at the moment, my wargaming attention has been directed towards Great War projects in 6mm.
Irregular Miniatures, 6mm early war German infantry based of Great War Spearhead II
Consequently, On Senlac Hill will be loosening its top button, having a cup of char, and having a bit of a rest for a while.
4th Royal Fusiliers resting in the square at Mons on 22 August 1914, the day before the Battle of Mons

So, why not pop over to my new WWI-focussed blog - Jumping the Bags!

URL: http://jumpingthebags.blogspot.com.au

Thanks for looking.

Monday, July 14, 2014

Mayan Temple for Pulp adventures - complete!

It's amazing the motivation posting work in progress pictures on forums give me when completing projects. A few days after deciding to make a Mayan-style temple for Pulp Alley adventures to come, I have managed to completed it (although some final painting will be completed/details will be added in time).

I'm quite pleased with the result and am grateful for the useful advice I've received on TMP and Pulp Alley Forums.
The painting was largely inspired by this thread on painting stonework on TMP.
Details to come include:
  • crafting a sacrificial alter to sit on the summit of the temple
  • some more shading on the stairs
  • a little dry brushing to knock back the colours used to highlight different tones among the stones
  • possibly one final wash to help define the shadows a little more
  • adding some moss/lichen to increase the 'lost ruin in the jungle' look
The next project is some trees for the jungle setting.

Friday, July 11, 2014

Mayan temple pt 2

After some great advice on  TMP and Pulp Alley forum about possible approaches to texturing the
surface of the Mayan-style temple, I have settled on building up a clockwork texture using thin card 'stone slabs' glued on and then covered with tissue paper brushed in diluted PVA glue.

I think some of my efforts to lay the tissue paper over the 'slabs' of cardboard are a little sub standard, but in general I'm liking the texture. Of course, the immediate benefits of this approach is that it is cheap and I can get moving on it strait away.

The question will be whether to undercoat and dry-brush, or to use some sort of texture over the tissue paper. The advantage of another layer is it will make the surface more durable, but I may end up losing some of the effect I've created.

Another pice of advice I received was to seal/reinforce the edges of the corrugated cardboard with thin strips of card glued on. It's a little too late for the edges of the bottom two levels, but I will try this on the steps and possibly the upper level.

Some other products mentioned by fellow wargamers that I will be looking at for future projects such as this will be:




Thursday, July 10, 2014

Scratch built Mayan temple - of sorts!

My pulp adventures need more locations - I fancy a steamy jungle ruin.

The aim here is to produce a cheap, useful bit of terrain without it spending months on the craft table like all my other projects do.

I am loosely basing this (very loosely) on the Tikal Temple II in Northern Guatemala.
Ok, I confess I was originally planning on the standard Mayan temple with the staircase on each face but I could see the job bogging down if I had to make four staircases! So a quick web search found the temple at Tikal, and Bob's your uncle!

So, the basic structure (sans stairs) has been constructed our of heavy corrugated cardboard. I'm pondering how to manage the summit shrine - partly because I've not allowed enough space - but in the mean time am wanting to get the main exterior finish sorted.

Here's how it looks at the moment:
28mm miniature to give a sense of scale.
I've contemplated covering it with tissue paper soaked in PVA glue to give it a uniform, rough finish, then dry brush and add a bit of vegetation. However, it would be good to get a bit of a stone clockwork feel to the surface. The question is how?

The role of this bit of terrain is just to be a serviceable bit of pulp terrain - so it does not need a refined finish. The other criteria, is to continue with the 'no cost' strategy!

I'll post more pictures as it progresses.

Saturday, June 7, 2014

70 years

For twenty-two years as a war correspondent, Capa was a witness to the twentieth century's most momentous events: the Spanish Civil War, the London blitz, World War II, the birth of Israel, and the war in Indochina; he died after stepping on a mine while covering this last conflict. Capa could just as easily have perished on D-Day when he made this unforgettable photograph while wading ashore in Normandy with one of the first landings of soldiers on Omaha Beach. Capa made seventy-nine photographs of the first hours of the invasion. Tragically, a careless lab assistant ruined all but seven negatives, the only photographic record of the first wave.








http://www.metmuseum.org/toah/works-of-art/1987.1100.501